Hi, I'm Annabelle. I teach clown and physical comedy at Curious Comedy Theater in Portland. My
background is in circus arts and juggling, not the traditional theater pedigree, so my approach is skill-based:
students bring a real technical practice (juggling, dance, an instrument, anything) and we work on letting it go
playfully wrong together.
Mid-flop, on purpose · Covert Café, Portland
How I teach
My pedagogy is built around a few specific commitments. I named the broader framework The Queer Clowning
Framework, but you don't have to be queer to take any of my classes. The framework is about using the
social discomfort of being publicly perceived as a particular kind of person as the raw material for comedy. That
originated from my experience as a trans woman, and it lands for queer students in a specific way, but the
underlying principles work for anyone willing to look at the awkwardness they carry around with them.
A few things that show up across all my classes:
Skill-based clowning. Bring something you're good at. We'll let it fall apart together.
The Flop as material. The audience secretly came to watch things fall apart. We build with
that instead of avoiding it.
Defense mechanisms as the work. Notice what you reach for when the room goes quiet. We pause
it to see what's underneath.
The audience relationship arc. Looking at, performing for, becoming, losing, wishing back,
regaining. Seven states of being with an audience.
Failure made legible. The structure makes failure specific and workable instead of personal
and exposing. Neurodivergent students often tell me this helps, though it works for anyone.
Current classes at Curious Comedy
Fundamentals of Queer Clowning
4-week intensive · $165–$185
Four weeks working through The Queer Clowning Framework. Voice, movement, social dynamics, expression, the
flop, skill-based clowning, vulnerability, and the full audience-relationship arc. No clown experience
required. Open to all identities and experience levels.
Check back soon for upcoming classes!
Intro to Clowning: Presence, Vulnerability, and Failure
Single workshop · $45
A 2.5-hour standalone workshop covering the basics. Peek behind the fourth wall and into the soul of your
audience. Get out of your brain and into your body.
What happens when you bring an object on stage with you? A workshop on how clowns interact with objects, what
makes a prop bit land, and how to make even the most mundane object weirdly important.
Going from "I have a few clown bits" to "I have a clown set." Structure, transitions, the shape of a piece,
the question of where the set is going. For people who've done some clown work and want to start building
toward a performance.
My debut solo show, premiered in 2023. A one woman show about a one pre-teen boy show
seeking fame and fortune in YouTube's early era. Available for booking at venues.
Private workshops & coaching
Available for booked group workshops (companies, retreats, performance ensembles) and
one-on-one coaching for performers developing solo work. For adults 18+. Email for rates.
Who I am
I'm a variety performer, funny woman, and comedy teacher based in Portland. My comedy comes out of a background
in circus arts and physical comedy, with a long parallel practice in contact juggling. I'm a trans woman, and my
work is shaped by that: I'm interested in the awkward intimacy of being publicly perceived as a particular kind of
person, and the comedic potential of that awkwardness when you stop apologizing for it.
I call myself a no-jokes absurdist. The comedy I'm interested in is the kind that
comes from a person being fully themselves in a room, not from setups and punchlines.
On paper: a BA in Linguistics and an MS in Recreation, Event, and Sports Management. It sounds like a
strange pair until you notice it adds up to someone who studies how people communicate and designs structured
play for groups. That's the job.
By day I'm a software engineer. My weirder internet self (games, pixel worlds, a blog) lives at annabelle.online.